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AVAILABLE WORKS

AVAILABLE WORKS

AVAILABLE WORKS

THE EXHIBIT

A solo exhibition by Jamie Williams

New York City - In development for 2027

For inquires, please contact jamie@jrwgear.com

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Public Studies for Don't Ignore the Horrors™

Brass plaques will be mounted throughout Charlotte as a quiet warning, reminding viewers not to grow comfortable with cruelty.

Public Studies for Don't Ignore the Horrors™

In development.

Color studies for Don't Ignore the Horrors™

Red represents cruelty and terror. Glimmering brass represents sanctity. Mirror represents reckoning.

Previous Work - Curator

Before going conceptual, my metal art existed at a scale you could hold in your hand. "Pocket Art" is a term I embraced to describe an emerging genre of art meant to be handled, carried and collected.

I learned m

INFLUENCE III - HAYLEY WILLIAMS

Miss Williams did something that countless other critics of moral surrender were never able to do: she turned the critique inward.

Identifying cruelty is the easy part. The hard part is examining what we inherit, nor

INFLUENCE II - VINCENT BENNETT

As a long-time fan of The Acacia Strain, only recently have I truly opened my ears, my eyes and my mind to the themes Vincent Bennett has spent his career confronting. I've spent many late nights walking alone in the b

INFLUENCE I - OSWALDO GUAYASAMÍN

On my most recent trip to Ecuador I encountered the art of Guayasamín and had the honor of visiting his former home, now a museum, in Quito.

The emotions I felt in the presence of his work were more im

🩸Blood is the dominant visual language of Don’t Ignore the Horrors.

Throughout the installation, blood is represented falling from above and down the walls, creating an atmosphere of terror and signaling that something is deeply wrong. Only w

Before the installation comes the research.

Material studies for Don't Ignore the Horrors™

Raw metals, powder coat, layered construction and form prototypes.

Don't Ignore the Horrors

A confrontation with cruelty.

A new body of sculptural and installation work in development.

2026–

This was my account where I posted my personal collection but I'm converting it to a space for larger scale art projects. I have big ideas and big plans so I wanted a place to post them where I already have a few followers. If you're curious, stick a